One of the amazing things about fandom is the respective fan funds. There’s a triangle of them connecting the three largest concentrates of fandom in the world. (There’s also several minor ones, my favorite of which is CUFF, which sends fans back and forth within Canada.)
The first one, connecting Europe with Australia, is GUFF, which stands for the Going Under/Get Up-and-over Fan Fund, depending on the direction of the trip. As this is the leg of the triangle that I can’t participate in, I don’t know all that much about it. The next trip direction is EU -> AUS, for the Australian Worldcon next year.
The second one, connecting Australia with North America, is DUFF, which stands for the Down Under Fan Fund. This fascinates me, as Australia’s always seemed like a nifty place to visit. (That’s why I was hoping to get there next year, but my plans to be employed full-time by this point have been thwarted by the economic meltdown.) Anyway, this year’s DUFF trip is NA -> AUS for the same reason as GUFF.
And then there’s my favorite fan fund, TAFF, or the Trans-Atlantic Fan Fund. Now it might be my favorite because I hang out with Chris Garcia at conventions and thus get the full fury of the manic TAFF delegate. TAFF connects Europe and North America, and got its start in a one-off fund to bring a great fanwriter named Walt Willis from Ireland to the US in 1952, which means the fund is the granddaddy of all the fanfunds and, well, older than my parents. (There’s a lot of things older than my parents in fandom. There are things in fandom that are older than my grandparents, actually. And if that doesn’t make most folks in fandom feel old…)